1992 · 30 min
The rhythm and editing of the film and the mostly improvised choreography influence each other in this dance film or film dance. Four people in different forms of relationships: two women, a man and a woman, two men. At the center is a frozen love, two open relationships at the edges—a triptych. Three pieces of music: opera arias for the side sections of the triptych, a jazz tango for the main section. On the left and right, a camera on a steadycam; in the middle, a revolving stage—a contact improvisation begins, danced variations on the possibilities of togetherness and disunity.
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