2002 · 18 min
"This is a rarely seen cameraless film, made using the pinhole technique by applying light directly on the unexposed emulsion. Cote explores celluloid with color filters and different intensities of light as if expressing his most intimate and vital self. The flashes of luminosity seem to be signals of connection, maybe hope, inside one’s inner darkness." - Mónica Savirón, Museum of the Moving Image
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