2021 · 47 min
The work departs from Ernst Toller’s play “Die Maschinenstürmer” (1922), but relocates its themes along the remnants and ruins of the cotton industry, in post-2011 Egypt and post-industrial Poland. Actualizing a criticism of technology, the film re-reads the Luddites movement for a contemporary body of the worker that is always already informed by the histories of technological progress.
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