
Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
All or Nothing 2013
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Possessed 2011
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After Hours in the Cerebral Kitchen: Experimental Filmmaking in the 21st Century 2010
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All My Life 2009
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1859 2008
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When Worlds Collude 2008
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North Shore 2007
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The After Life 2007
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Time's Arrow 2007
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Everyday Bad Dream 2006
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Blue Pole(s) 2005
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Here 2005
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Amongst the Persuaded 2004
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If Only 2003
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The Or Cloud 2001
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Automatic Writing 2 2000
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Automatic Writing 1999
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One 1998
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This Old House 1993
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Introduction to the Secret Society 1991
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Breakout 1990
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Boulevard 1989
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Lure 1986
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How The Hell I Ripped Jack Goldstein's Painting In The Elevator 1986
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Plotting the Grey Scale: 2 or 3 Quick Traverses 1985
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Here, There Now, Later 1983
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In & Out 1983
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Insomnia 1981
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Terrific Measures 1980
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Venetian Blind 1979
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Credits from TMDB.