While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944. In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member. According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
The Steagle 1971
Director of Photography
The Great White Hope 1970
Director of Photography
Suppose They Gave a War and Nobody Came? 1970
Director of Photography
Halls of Anger 1970
Director of Photography
My Father: Gordon Parks 1969
as Self
The Madwoman of Chaillot 1969
Director of Photography
Some Kind of a Nut 1969
Director of Photography
The Learning Tree 1969
Director of Photography
Where It's At 1969
Director of Photography
The Moviemakers 1969
as Self
The Split 1968
Director of Photography
The Ambushers 1967
Director of Photography
Bonnie and Clyde 1967
Director of Photography
How to Succeed in Business Without Really Trying 1967
Director of Photography
The Silencers 1966
Director of Photography
King Rat 1965
Director of Photography
Good Neighbor Sam 1964
Director of Photography
Flight from Ashiya 1964
Director of Photography
Kid Galahad 1962
Director of Photography
Birdman of Alcatraz 1962
Director of Photography
Mr. Sardonicus 1961
Director of Photography
Homicidal 1961
Director of Photography
Cry for Happy 1961
Director of Photography
Let No Man Write My Epitaph 1960
Director of Photography
Hell to Eternity 1960
Director of Photography
The Mountain Road 1960
Director of Photography
Edge of Eternity 1959
Director of Photography
They Came to Cordura 1959
Director of Photography
Gidget 1959
Director of Photography
Dogface 1959
Director of Photography
Credits from TMDB.